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Artists’ Palette and Brush used by William Lamprecht circa 1901
Description
For the eight months it took to execute the mural, William Lamprecht and his wife, Augusta, resided at Mount St. Joseph where he loved to take long walks to enjoy “God’s great Panorama.” A faith-filled man, the artist recognized his talent as a gift from God. He never began a project without preceding it with a novena of prayer and fasting. Each morning, he rose with the tower bell at 5 AM, attended Mass with the Sisters and received Holy Communion. When he began his painting each day, he left strict orders not to be disturbed.
Lamprecht’s mural in the Motherhouse Immaculate Conception Chapel sanctuary dome, painted on a doubly curved surface like the inside of a bell, is of Mary Immaculate. Mary is depicted as the “woman clothed with the sun, with the moon under feet, and on her head a crown of twelve stars” (Rev. 12:1). The figure of Mary is 15 feet tall and the entire mural rises 65 feet above the wainscoting. Above the figure of Mary is God the Father and the Holy Spirit in the form of a dove. The central figure is surrounded by angels, each representing a scriptural symbol associated with Mary’s role in redemption history. Below the figures of Gabriel and Michael, are angels carrying a crown, a lily branch, a psaltery, a palm of victory, the rod of Jesse, the Ark of the Covenant, a star, and a harp. The herald angel at the base carries a scroll: “In unbra manus suae protexit me” (In the shadow of His hand He hath protected me).
When he completed his work, Mother Sebastian asked the artist how this mural compared to his other paintings. He replied thoughtfully, “It is my last and my best.” Shortly after completing the mural, Lamprecht’s health began to decline and, in 1904, he retired to his native country of Germany. He died March 19, 1922.
Generations of Sisters of Charity, students at Mount St. Joseph Academy and the College of Mount St. Joseph, families, and guests have been awed and inspired by Lamprecht’s work as well as his devotion that shines through each brushstroke. A true blessing for many! -
Key to the St. Joseph Motherhouse (Stokes Mansion) at Seton Hill
The original key to the front door of the Stokes Mansion which served as the first motherhouse and Academy of the Sisters of Charity of Seton Hill in Greensburg. Mother Aloysia Lowe, foundress of the Sisters of Charity of Seton Hill, used the key up until her death in 1889. The Sisters preserved the key as a treasured memento of the community’s early years in Greensburg.
In 1932, in honor of the 50th Jubilee of the congregation, Father Daniel Sullivan, the first priest-president of Seton Hill College, commissioned a special engraved metal accompaniment for the key. It reads “With this key Mother Aloysia Lowe unlocked and entered this the first mother house of the Sisters of Charity Aug. 7 1882. Seton Hill.” On the reverse appears a quote attributed to Mother Aloysia which reads “I opened not merely the door of this house, I swung the gates of an era.” This attributed quote reflects the roles of Mother Aloysia as leader, foundress, and visionary. It serves as a reflection of the sisters’ astounding work over more than 150 years. -
Snowsuit from Roselia Boarding Baby
Description
A baby left on a convent doorstep on March 17, 1884 initiated the journey for the Sisters of Charity in Pittsburgh to establish their first healthcare institution, a medical facility and boarding home for foundlings and unwed pregnant women. With the help of Roselia and Charles Donnelly and other benefactors, the sisters opened a small house in July 1891. By the end of the first month, the admission of nineteen infants stressed the limits of the building. The need for additional space prompted Mr. Donnelly to purchase the old Ursuline Academy in the Hill District. It became known as Roselia Foundling and Maternity Hospital. From 1891 until its closure in 1971, over 27,000 orphaned and temporarily boarded children came through Roselia.
Nearly 50 years later, John Smith* contacted the Sisters of Charity of Seton Hill to learn more about Roselia and for clues into his beginnings. John’s connection to the Sisters of Charity, though brief, hints at the influence the Sisters of Charity can and have had on children.
After his mother abandoned him at birth, infant John was sent to Roselia as a boarding baby in 1938. The Sisters of Charity in charge there lovingly cared for him for nine months. He was later formally adopted by his paternal grandparents. For 80 years, the outfit the Sisters delivered John home in was preserved in the family. The snowsuit includes the note: “Johnnie, You were so small your little feet were inside this little suit.”
Thankful for the love and care of the sisters and for the opportunity to live a full and rich life, John donated this snowsuit to the archives of the Sisters of Charity, along with the story of his upbringing and family. It serves as a symbol of the warmth and love the Sisters have had for children, particularly foundlings, adopted children, and infants. The Sisters of Charity hold the records of Roselia and continue to field research requests related to birth parents and children.
*Name anonymized to protect identity.
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Statue of Madonna and Child Jesus
This statue of the Madonna and Child Jesus was given to Sister Mary Xavier Mehegan, a Sister of Charity of New York, circa 1859. The statue was given to her by the Sisters of Charity of New York when Sister Mary Xavier agreed to help found the Sisters of Charity of Saint Elizabeth in New Jersey. Now Mother Mary Xavier, she kept the statue in the first Motherhouse in Newark, New Jersey and carried it in her arms on the carriage ride to rural Morris County on July 2, 1860 when the Motherhouse was relocated to Madison, New Jersey. It is on display in the Heritage Room of the Motherhouse. -
Embroidery on silk of pandas
In October 1996 Sister Mary Carita Pendergast, a Sister of Charity of Saint Elizabeth, received this piece of embroidery, framed in glass, from Agnes Chao, a Chinese woman living in Shanghai at the time. Sister Carita had been a missioner in Hunan Province, China from 1933 to 1951. The Sisters of Charity raised the orphaned Agnes from infancy and educated her to the level of a normal school (teacher education) graduate. Agnes then taught in the Sisters’ school in Wuki.
When the Communist government interrogated Sister Carita prior to her expulsion from China in 1951, they turned to Agnes and demanded that she testify to the Sisters’ crimes, which she refused to do even with a gun pointed at her. In 1996 Agnes Chao was a grandmother, working in a factory; the cost of shipping the package to Sister Carita – a token of Agnes’s gratitude and concern – might have been two months’ salary.
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Poor Box from St. Patrick’s Asylum, Manhattan
The first New York mission of the Sisters of St. Joseph in New York, the Roman Catholic Orphan Asylum, was incorporated in 1817. Known as St. Patrick’s Asylum due to proximity to St. Patrick’s Old Cathedral, the orphanage was quickly filled, to capacity. To raise funds for a new building, a poor box was placed in St. Patrick’s Orphan Asylum by Sr. Elizabeth Boyle, who became the first Mother Superior of the Sisters of Charity of New York in 1846. The donations placed in the poor box were a source of support for many. The word, ‘Charity’ in gold, capital letters is painted on the front of box; a wood cross is positioned on top of the box.
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Hughes, Sister Mary Clare, D.C. Oral History
Sister Mary Clare Hughes, D.C. discussed her life in community as a Daughter of Charity. She began her career as a nurse at St. Vincent’s Hospital in Jacksonville, FL and St. Mary’s Hospital, Saginaw, MI before becoming Assistant Visitatrix of the Eastern Province of the Daughters from 1962-1969, Assistant Visitatrix of the Southeast Province from 1969-1974, and Visitatrix of the Southeast Province from 1974-1983. Relating to her time in office, she discusses the first Provincial and General Assemblies of the community after Vatican II, the changing of the Daughters of Charity habit, the exhumation of Elizabeth Ann Seton in anticipation of her beatification, the division of the five provinces in 1969, the closing of St. Joseph College, the building of the new provincial campus in Emmitsburg, and important guests such as Saint Teresa of Calcutta and President Jimmy Carter. She also discusses her close collaboration with General Councillor Sister Hilda Gleason and Vincentian Superior Father Richard McCullen. -
Sugrue, Sister Noreen, SC Oral History
Sr. Noreen Sugrue has shared her reative skills as a teacher, artist and Congregation archivist. She taught elementary grades, spirituality to novices, and art to students of all ages, including one summer in Appalachia and ten summers at the New York Foundling. From 1973-1986 as the Assistant Archivist for the Congregation, she chose a new archives storage location and designed the building space, managed the artifacts in the Elizabeth Seton Museum, and arranged and described the historic materials.
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Henke, Sister Grace, SC., Interview
Sr. Grace Henke, SC, details her formative years as a novice and extensive career as a nurse and instructor at St. Vincent's Hospital School of Nursing. Sr. Grace authored 'Med-Math: Dosage Calculation Preparation and Administration' to simplify measurement of medications needed for patients. Sr. Grace developed a program to tutor underprivileged students to become nurses. She was part of the team that treated AIDS patients in the Greenwich Village hospital during the early years of the crisis. -
