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                <text>Children of Mary and Sisters, painting</text>
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                <text>Children of Mary,&#13;
Daughters of Charity&#13;
Sister Ann Gillen,D.C., &#13;
Sister Mary Scholastica Logsden, D.C., California &#13;
Los Angeles, Orphanage, City of Angels&#13;
Amat, Bishop Thaddeus, C.M., &#13;
Spanish Revolution, Institucion Caritativa,&#13;
Charitable Institution, Los Angeles Orphan Asylum, &#13;
Sisters’ Hospital, St. Vincent’s Medical Center, Maryvale, Rosemead, &#13;
La Placita&#13;
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                <text>This early painting on tin depicts the Sisters leading the Children of Mary procession in &#13;
Los Angeles, California. The work was presented to the Seton Provincial Archives &#13;
by Sister Elizabeth Hurley of Maryvale, Rosemead.</text>
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                <text>Unknown</text>
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                <text>The Daughters of Charity, Province of St. Elizabeth Ann Seton&#13;
&#13;
</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2530">
                <text>ca. 1860-1870</text>
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            <name>Contributor</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The use of records taken from our collection (quotations, photographs, etc.), must be obtained through written permission from the Provincial Archivist (26000 Altamont Road, Los Altos Hills, CA 94022-4317). If permission is given to reproduce such records, the researcher is required to use our credit line which is as follows: Courtesy of the The Daughters of Charity, Province of St. Elizabeth Ann Seton</text>
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                <text>Painting on tin; 8" x 15"</text>
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                <text>Los Angeles, California</text>
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        <name>Daughters of Charity of St. Vincent de Paul</name>
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                <text>Figurine of St. Joseph&#13;
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                <text>Roman Catholic Orphan Asylum (San Francisco, Calif.)&#13;
McEnnis, Sr. Francis, D.C.&#13;
Maginnis, John T., -1864&#13;
Canal Zone&#13;
Grant, Ulyssses S. (Ulysses Simpson), 1822-1885&#13;
California--Gold discoveries&#13;
Cholera</text>
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                <text>This figurine was likely hand-carried across the Isthmus of Panama by the Pioneer Sisters traveling to San Francisco, California in 1852. It was among the contents of the corner stone from the original Roman Catholic Orphan Asylum (1852-1873).</text>
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                <text>Unknown</text>
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                <text>The Daughters of Charity, Province of St. Elizabeth Ann Seton</text>
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            <name>Date</name>
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                <text>ca. 1852</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>N/A</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2518">
                <text>The use of records taken from our collection (quotations, photographs, etc.), must be obtained through written permission from the Provincial Archivist (26000 Altamont Road, Los Altos Hills, CA 94022-4317). If permission is given to reproduce such records, the researcher is required to use our credit line which is as follows: Courtesy of the The Daughters of Charity, Province of St. Elizabeth Ann Seton</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Marble; 2" x 5"</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>N/A</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>San Francisco, California&#13;
Isthmus of Panama</text>
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        <name>Daughters of Charity of St. Vincent de Paul</name>
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            <name>Title</name>
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                <text>Linoleum blocks used to print front and back covers of the pamphlet, 'The Antigonish Way.'</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adult education &#13;
Agriculture, Cooperative &#13;
Antigonish movement&#13;
Cooperation &#13;
Linoleum block printing&#13;
Nova Scotia -- Antigonish County&#13;
Relief printing&#13;
St. Francis Xavier University-- Extension Dept</text>
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            <description>An account of the resource</description>
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                <text>Two linocut blocks, hand-carved by Sister Irene (Mary Anselm) Doyle in 1940.  The linocuts utilize the “multi-block” printing technique, in which each color in a print is made from a different block.  They feature thematic representations of Nova Scotian production of the era: fishing, agriculture, handcrafts, mining, and industry.  The blocks were used to print an array of material, including sharkskin drapery, posters, and notably the front and back cover for the pamphlet, The Antigonish Way. &#13;
Based on a series of radio broadcasts and published by the Extension Department at Saint Francis Xavier University, The Antigonish Way illustrates the history of the Antigonish Movement and its guiding principles.  In the early 20th century, the Antigonish Diocese in eastern Nova Scotia experienced the dramatic decline of its resource based economy and extensive poverty.  Diocesan clergy, Dr. Moses Coady and Father Jimmy Tompkins, advocated for adult education as a means of improving these social and economic concerns.  This became commonly known as the Antigonish Movement and took the form of study clubs that would identify a community’s unique strengths and weaknesses, and then formulate collaborative solutions, such as cooperatives and credit unions.  &#13;
Then in 1928, Saint Francis Xavier University established the Extension Department, led by Dr. Coady, to teach and implement the methods of the Antigonish Movement in the wider community.  Marthas were tasked with heading the Women’s Division, dedicated to encouraging women’s involvement in the movement.  Sister Irene (Mary Anselm) Doyle, a talented artist, oversaw the Handicrafts Section which promoted traditional crafts such as weaving, knitting and other textile work, woodworking, canning, leatherwork, pottery, and printmaking.&#13;
Sisters also supplied book-keeping services, established lending libraries, arranged study clubs, classes, and conferences, and aided in the production and distribution of Extension literature, such as the pamphlet, The Antigonish Way.  It was one of many instructional publications the Extension Department offered to communities around the world that sought cooperative solutions to reduce poverty and strengthen local economies.  Sister Irene Doyle’s block prints – a handicraft that illustrated Nova Scotian production and self-sufficiency, were perfectly suited for the cover.  &#13;
The legacy of the Antigonish Movement perseveres to this day—the Coady International Institute at St. Francis Xavier University, continues to teach its principles, fostering community-based development and leadership education at an international level.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sister Irene (Mary Anselm) Doyle, CSM, Artist</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Congregation of the Sisters of St. Martha, Antigonish Nova Scotia. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The prints were featured on the front and back cover for the pamphlet, The Antigonish Way, published in Antigonish, N.S. : Extension Dept., St. Francis Xavier University, 1943.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1940</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Extension Department of St. Francis Xavier's University, Antigonish, Nova Scotia</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2504">
                <text>Online access is provided for research purposes only.  Permission for reproduction or use requests must be obtained. Please contact: CSM Archives, Congregation of the Sisters of St. Martha, 75 Marian Drive, Antigonish, Nova Scotia, Canada, B2G 2G6.  &#13;
This permission is valid only insofar as CSM Archives, as owner or custodian, has any rights in the matter and does not remove the responsibility of the author, editor, and publisher to guard against the infringement of any rights, including copyright, that may be held by others.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Linoleum blocks&#13;
32 cm (height) x 23 cm (width) x 2 cm (depth) </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>N/A</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1940-1943&#13;
Antigonish, Nova Scotia, Canada&#13;
Coordinates:&#13;
Lat: 45 39 00 N  degrees minutes	  Lat: 45.6500  decimal degrees&#13;
Long: 062 00 00 W  degrees minutes	  Long: -62.0000  decimal degrees</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St. Joseph’s Free School and The Academy of Mount Saint Vincent, stained glass panels, 1810; 1859; 1943; 1972</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Catholic schools&#13;
St. Joseph’s Academy (Emmitsburg, Md.)&#13;
McGowan’s Pass (Convent: New York, N.Y)&#13;
Academy of Mount St. Vincent on-the-Hudson (New York, N.Y.) &#13;
Academy of Mount St. Vincent (Tuxedo Park, N.Y.)&#13;
Central Park (New York, N.Y.) –Pictorial works&#13;
Bronx (New York, N.Y.) – Pictorial works&#13;
Schools –New York (State) –Tuxedo Park – Pictorial works&#13;
Schools – New York (City) – Bronx –Pictorial works</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Panel 1, upper section: Emmitsburg, Maryland, 1810:  &#13;
In 1810 when Elizabeth Seton arrived in Emmitsburg, Maryland, the new community of the Sisters of Charity of Saint Joseph’s, opened a free school, the two-story Federal-style building depicted, today known as the ‘White House.’ On February 22, 1810, three girls were the first day students to attend Saint Joseph’s Free School, the first free Catholic school for girls staffed by religious women in the country. &#13;
Panel 1, lower section: McGown’s Pass, Manhattan, 1847:&#13;
Mother Seton’s school in Emmitsburg was the precursor to the Academy of Mount Saint Vincent, Bronx, opened after the New York Sisters separated from Emmitsburg community in 1847. Under the patronage of Reverend John Hughes, the first Archbishop of New York and brother to Mother Mary Angela Hughes who led the Community 1855-1861, the Academy at McGown’s Pass was regarded as one of the pioneer institutions in the East for the education of Catholic girls. In 1851, the Academy received its charter from the New York State Legislature. McGown’s Pass at approximately 109th Street and 5th Avenue, had been the location of Revolutionary War headquarters for George Washington and his army.&#13;
Panel 2, upper section: Font Hill-On-Hudson, Bronx, New York, 1859&#13;
When the Sisters were asked to vacate the McGown’s Pass property in Manhattan for the planned development of Central Park, they purchased the 55-acre estate Font Hill-On-Hudson located on the east bank of the Hudson River. In 1859 when construction of the first building at Font Hill-on-Hudson was completed, the building included accommodations for the new Academy and boarding students. The classrooms, grand study hall, art room, music hall, reception rooms, as well as the Convent and Chapel of the Immaculate Conception were housed in this building, today known as Founders Hall. &#13;
Panel 2, lower section: Tuxedo Park, New York, 1943&#13;
As the College student population increased, the need for separate quarters for the Academy’s faculty, students, and activities, was addressed. To provide a new location for the school, Archbishop Spellman deeded an estate in Tuxedo Park, New York, that had been donated to the Archdiocese of New York by Mrs. E. John Heidseick. On this property, the mansion ‘Chastellux’ first housed the Academy of Mount Saint Vincent at Tuxedo Park in 1943. In 1947, the Academy expanded in acreage when Mr. Erasmus Lindley deeded his adjacent home and property. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Peter Appleton, Artist&#13;
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                <text>Permission for reproduction or quotation must be obtained through written application to: Director of Archives, Sisters of Charity of New York, 6301 Riverdale Avenue, Bronx, New York, 10471. This permission is valid only insofar as he Archives of the Sisters of Charity of New York, as owner or custodian, has any rights in the matter and does not remove the responsibility of the author, editor, and publisher to guard against the infringement of any rights; including copyright, that may be held by others. </text>
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                <text>1810; 1847; 1859; 1943&#13;
St. Joseph’s Academy (Emmitsburg, Md.)&#13;
McGowan’s Pass (Convent: New York, N.Y)&#13;
Academy of Mount St. Vincent on-the-Hudson (New York, N.Y.) &#13;
Academy of Mount St. Vincent (Tuxedo Park, N.Y.)</text>
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                <text>Patrick Keenleyside &#13;
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                <text>Congregation of the Sisters of St. Martha, Antigonish Nova Scotia.  Photographs provided by CSM Communications Coordinator and CSM Archives.</text>
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                <text>Congregation of the Sisters of St. Martha, Antigonish Nova Scotia.  </text>
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2020-2022, installation at Bethany Centennial Garden</text>
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                <text>Online access is provided for research purposes only.  Permission for reproduction or use requests must be obtained. Please contact: CSM Archives, Congregation of the Sisters of St. Martha, 75 Marian Drive, Antigonish, Nova Scotia, Canada, B2G 2G6.  &#13;
This permission is valid only insofar as CSM Archives, as owner or custodian, has any rights in the matter and does not remove the responsibility of the author, editor, and publisher to guard against the infringement of any rights, including copyright, that may be held by others.</text>
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                <text>1962-2022&#13;
Antigonish, Nova Scotia, Canada&#13;
&#13;
Coordinates:&#13;
Lat: 45 39 00 N  degrees minutes	  Lat: 45.6500  decimal degrees&#13;
Long: 062 00 00 W  degrees minutes	  Long: -62.0000  decimal degrees</text>
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                <text>Order of Alhambra</text>
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Daughters of Charity of St. Vincent de Paul&#13;
Order of Alhambra </text>
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                <text>In 1832, cholera ravaged the city of Philadelphia.  The Daughters of Charity accepted the invitation to nurse in the city, the Almshouse, and the General Hospital to care for the victims of the dread disease.  Two Daughters died during their service during this service.  &#13;
Over 100 years later, the memory of the Daughters bravery in the face of a brutal epidemic remained strong.  The Order of the Alhambra, a Catholic fraternal order, erected a plaque in Philadelphia General Hospital in a memorial to the Daughters’ service.</text>
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                <text>Order of Alhambra</text>
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                <text>1947-08-23</text>
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                <text>Daughters of Charity Archives, Province of St. Louise, Emmitsburg, MD</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2460">
                <text>Permission for any type of publication of archival materials, including text, photographs, video, or audio must be secured from the Daughters of Charity Communications Director before publication.  Contact archives staff for appropriate forms and contact information. </text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>N/A</text>
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                <text>EM 7-6-1 #1</text>
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                <text>1947-08-23&#13;
Philadelphia, PA</text>
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          <element elementId="50">
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                <text>Sr. Alice Matthew’s Trunk</text>
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Daughters of Charity of St. Vincent de Paul. Emmitsburg Province</text>
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                <text>The trunk was a symbol of the Daughters of Charity and their ability and willingness to travel to wherever they were needed. The trunk was meant to be a semi-lightweight and convenient way to pack up all the clothing, habits, and necessities of life, while encouraging a sense of personal moderation amongst individual sisters. This trunk, in very good condition, belonged to Sister Alice Matthews, and still has the shipping information as she began her ministry at Providence Hospital in Washington, D.C.</text>
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&#13;
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                <text>Permission for any type of publication of archival materials, including text, photographs, video, or audio must be secured from the Daughters of Charity Communications Director before publication.  Contact archives staff for appropriate forms and contact information. </text>
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Washington DC&#13;
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                <text>Rocking chair, kneeler and wheelchair used by Foundress, Mère Marie-Anne</text>
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                <text>Rocking chair, kneeler and wheelchair, were used by Foundress, Mère Marie-Anne; she was 73 years old when she, with 52 sisters, founded Religieuses de Notre-Dame-Du_Sacre-Coeur&#13;
(Our Lady of the Sacred Heart). This is the first wheelchair used in the Congregation.</text>
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                <text>Religieuses de Notre-Dame-Du_Sacre-Coeur&#13;
(Our Lady of the Sacred Heart)</text>
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                <text>Statue&#13;
Plaster??</text>
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                <text>1924</text>
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                <text>Online access is provided for research purposes only. For rights, reproduction, and use requests or more information, please contact the Religieuses de Notre-Dame-du-Sacre-Coeur (Our Lady of the Sacred Heart)</text>
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            <name>Subject</name>
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                <text>Wheelchairs&#13;
Rocking chairs&#13;
Kneelers</text>
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            <name>Identifier</name>
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        <name>Les Religieuses de Notre-Dame-du-Sacré-Coeur</name>
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                <text>Sisters Caring for Cholera Victims on McNabs Island, 1866.</text>
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            <name>Subject</name>
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                <text>Nova Scotia--McNabs Island&#13;
Cholera&#13;
Sisters of Charity of Saint Vincent de Paul (Halifax, N.S.)</text>
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                <text>The painting depicts a scene on McNabs Island in Halifax Harbour during a cholera outbreak in 1866. In the foreground are two Sisters in black habits. One is offering a cup to a woman in a shawl. The other Sister is surrounded by children. A third Sister is seen in a tent caring for a person. Makeshift tents are set up next to trees. Two ships are anchored in the Halifax Harbour.&#13;
&#13;
The SS England, a large ship carrying 1300 passengers bound for New York, was suddenly struck by a cholera outbreak was forced to make an emergency stop in the Halifax Harbour in Nova Scotia. By the time the anchor had dropped, 50 passengers had already died of the disease. Archbishop Thomas Louis Connelly was concerned about the care of the sick, especially the orphaned children, and asked for volunteers to go to the island. Despite the very serious risk of contracting the disease, every Sister volunteered. Three Sisters were selected to minister to the sick on McNabs Island, and none contracted cholera.&#13;
Within the congregation, this event is referred to as the start of health care ministries for the Sisters. &#13;
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                <text>Sister Agnes Berchmans Landry: Sister Agnes Berchmans Landry (1879-1973) originally painted the scene of the Sisters caring for cholera victims on McNabs Island for Mount Saint Vincent Motherhouse in Halifax, Nova Scotia, which was destroyed by fire in January 1951. After the fire, Sister Agnes Berchmans, though advanced in age, repainted the scene for the new Motherhouse.</text>
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                <text>Sisters of Charity - Halifax</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
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                <text>1951-1973</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>N/A</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="2408">
                <text>Online access is provided for research purposes only. For rights, reproduction, and use requests or more information, please contact the Sisters of Charity – Halifax Congregational Archivist.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Painting, 66” height x 47” width x 2” depth</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2412">
                <text>95.267</text>
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            <name>Coverage</name>
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                <text>1866&#13;
Halifax (Nova Scotia)&#13;
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        <name>Sisters of Charity of Halifax</name>
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            <name>Title</name>
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                <text>Lap Desk used by Mother Regina Mattingly circa 1855</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Monasticism and religious orders for women -- Catholic Church -- History&#13;
Catholic Church. Archdiocese of Cincinnati (Ohio)&#13;
Sisters of Charity of Cincinnati&#13;
Cincinnati (Ohio)&#13;
Mount Saint Joseph (Ohio)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A small brass plate inscribed “Sr. Mary Regina” affixed to a varnished wooden box -  a black velvet-lined writing surface – small compartments for pens and ink – and tucked beneath, a secure space for writing paper, snippets already penned, or letters received. Mother Regina’s lap desk was a well-loved and treasured possession.&#13;
When did she acquire such an item? On how many journeys did it accompany her? Imagine her carrying it as she made her way to Dayton to open the new St. Mary’s Academy in 1857. Or later, when she was Mother of the Congregation, did it accompany her as she traveled to visit the Sisters on the various missions? Did she use it as she sat in quiet corners at Cedar Grove, the Motherhouse of the Community at this time and the current site of Seton High School, writing in her journals? Or in her last months as she lay in a hospital bed suffering the ravages of cancer?&#13;
Well-educated as a young woman, Mother Regina Mattingly was a deeply reflective person, a lover of books, a devoted educator, a keeper of journals, and a prolific letter-writer. Surely, for such a one, the familiar feel of the polished wood and the worn velvet cloth provided a sense of comfort and peace as she settled in with pen and paper.&#13;
As she began her journals, she told herself, “All that I may promise in these pages shall be the true exponent of self, as far as circumstances will permit….I wish to be real in all things – real in friendship, real in practical piety, real in the correction of my many faults, real in my intercourse with others, and above all real in my love of God and His Sacred Heart.” She returns again and again to these themes, often starting a passage by describing some event such as the felling of trees at Cedar Grove, then shifting to a spiritual reflection, as when she writes, “It forcibly reminded me of the roots of our human passions with some of us have been tugging at for so many years.”&#13;
A great lover of natural beauty, she often remarked on her surroundings as when she and Mother Josephine Harvey visited the Western missions where she was extravagant in describing the magnificent sights of the Colorado Rockies, and the gorgeous hues of the New Mexico Sangre de Cristo Mountains. &#13;
By reading her journals and letters, it is possible to see deeply into the soul of this prayerful woman who was so influential in the foundational years of the Sisters of Charity of Cincinnati. How many of these passages were written on her beautiful lap desk?</text>
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                <text>Manufacturer Unknown&#13;
&#13;
Lap Desk given to the archives following Mother Regina Mattingly’s death in 1883.&#13;
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                <text>Sisters of Charity of Cincinnati&#13;
&#13;
</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
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                <text>ca. 1855</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>N/A</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Online access is provided for research purposes only. For rights, reproduction, and use requests or more information, please contact the Sisters of Charity of Cincinnati Archivist</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>N/A</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Equipment and tools&#13;
&#13;
Wood with sectional compartments, measures 10” x 5” x 16”&#13;
</text>
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            <name>Language</name>
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                <text>Physical Object</text>
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                <text>N/A</text>
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                <text>Cincinnati (Ohio)&#13;
Mount Saint Joseph (Ohio)&#13;
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